Even pushing Geo aside so she can handle it herself without leaving the burden to her friend.
When she's shown a seemingly losing situation, she usually leans for the worst case scenario. She is also shown as a defeatist at times. She uses these emotions and connections as inspiration for her songs. Sonia can be a bit bold, even asking Geo to two dates directly. Although she gains a genuine smile as the story goes on, she still looks up to Geo Stelar for self assurance. The real Sonia is energetic too but is haunted with dark thoughts, never forgetting the loss of her mother and the difficult state of the idol industry. Minneapolis: Fortress, 2012.As an idol, Sonia is portrayed as energetic and full of smiles. “The Birth, Early Life, and Commission of Moses: A Reading from Post-Handover Hong Kong.” In Exodus and Deuteronomy, edited by Athalya Brenner and Gale A.“The Notion of כפר in the Book of Leviticus and Chinese Popular Religion.” In Leviticus and Numbers, edited by Athalya Brenner and Archie Chi Chung Lee, 77-95.“A Comparison of Chinese Creation Myths and Biblical Texts.” In Global Perspectives on the Bible, edited by Mark Roncace and Joseph Weaver, 2-3.Collegeville, MN: Liturgical, forthcoming. “The Questionable Legitimacy of the Ransoming Power of Purification and Reparation Offerings: A Chinese Cultural Perspective.” In Wisdom Commentary: Leviticus, by S.“Naked Exposure as a Shaming Device: A Cross-Cultural Perspective.” In Wisdom Commentary: Leviticus, by S.“Gendering Nakedness ( ערוה ) and Sexual Policing.” In Wisdom Commentary: Leviticus, by S.“Zelophehad’s Daughters as Lienü (Exemplary Women): Reading Numbers 27:1-11 and 36:1-12 in the Discursive Context of Confucianism.” In Handbook to Asian American Biblical Hermeneutics, edited by Uriah Y.Hong Kong: The Chinese University Press, CUHK, forthcoming. “Naked Exposure of the Female Body in the Hebrew Bible and Modern China.” In Asian Feminist Biblical Studies, edited by Maggie Low.
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